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Aristophanes [Comicus] --- Greek drama (Comedy) --- -Political plays, Greek --- -Politics and literature --- -Literature --- Literature and politics --- Literature --- Greek political plays --- Greek drama --- History and criticism --- Political aspects --- Aristophanes --- -Pericles --- -Political and social views --- In literature --- Athens (Greece) --- -Politics and government --- Political plays, Greek --- Politics and literature --- Political and social views. --- History and criticism. --- -History and criticism --- Political and social views --- Pericles, --- Pericle, --- Perikl, --- Perikles, --- Perykles, --- In literature. --- Politics and government.
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"This study of Aristophanes provides the basis for a total re-assessment not only of Aristophanes as a poet and playwright, but also of our perception of politics and the role of the theatre in classical Athens. It shows how Aristophanes used allegorical means to comment on the day-to-day political concerns of Athenians, in particular the problems presented by the gradual emergence of Alcibiades as one of the most powerful figures in the state." --
Politics in literature --- Greek drama (Comedy) --- History and criticism --- Alcibiades --- Aristophanes --- In literature --- Characters --- Criticism and interpretation --- Politics in literature. --- History and criticism. --- In literature. --- Alcibiades. --- Criticism and interpretation.
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Literary historians have long held the view that the plays of the Greek dramatist, Sophocles deal purely with archetypes of the heroic past and that any resemblance to contemporary events or individuals is purely coincidental. In this book Michael Vickers challenges this view and argues that Sophocles makes regular and extensive allusion to Athenian politics in his plays, especially to Alcibiades, one of the most controversial Athenian politicians of his day. Vickers shows that Sophocles was no closeted intellectual but a man deeply involved in politics and he reminds us that Athenian politics was intensely personal. He argues cogently that classical writers employed hidden meanings and that consciously or sub-consciously, Sophocles was projecting onto his plays hints of contemporary events or incidents, mostly of a political nature, hoping that his audiences passion for politics would enhance the popularity of his plays.
Politics in literature. --- Greek drama (Tragedy) --- Greek literature --- Political science in literature --- History and criticism. --- Alcibiades --- Sophocles --- Sophocle --- Sófocles --- Sofoklis --- Sofokl --- Sūfūklīs --- Sofokles --- Sūtmūklīs --- Sofocle --- Sophokles --- Sofokŭl --- סופוקלס --- سوفوكليس --- Σοφοκλῆς --- Alkibiades --- Alcibiade --- Alkibiad --- In literature. --- Characters --- Alcibiades. --- Criticism and interpretation. --- Athens (Greece) --- Aḟiny (Greece) --- Atene (Greece) --- Atʻēnkʻ (Greece) --- Ateny (Greece) --- Athen (Greece) --- Athēna (Greece) --- Athēnai (Greece) --- Athènes (Greece) --- Athinai (Greece) --- Athīnā (Greece) --- Αθήνα (Greece) --- Sophoclis --- Characters.
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The conventional view of Aristophanes bristles with problems. Important testimony for Alcibiades’ paramount role in comedy is consistently disregarded, and the tradition that “masks were made to look like the komodoumenoi, so that before an actor spoke a word, the audience would recognize who was being attacked” is hardly ever invoked. If these testimonia are taken into account, a fascinating picture emerges, where the komodoumenoi are based on the Periclean household: older characters on Pericles himself, younger on Alcibiades. Aspasia, Pericles’ mistress, and Hipparete, Alcibiades’ wife, lie behind many female characters, and Alcibiades’ ambiguous sexuality also allows him to be shown on the stage as a woman, notably as Lysistrata. There is a substantial overlap between the anecdotal tradition relating to the historical figures and the plotting of Aristophanes’ plays. This extends to speech patterns, where Alcibiades’ speech defect is lampooned. Aristophanes is consistently critical of Alcibiades’ mercurial politics, and his works can also be seen to have served as an aide-mémoire for Thucydides and Xenophon. If the argument presented here is correct, then much current scholarship on Aristophanes can be set aside.
Politics in literature. --- Greek drama (Comedy) --- Political science in literature --- History and criticism. --- Alcibiades --- Aristophanes --- Aristofan --- Arystofanes --- Aristophane --- Aristofane --- Arisutopanesu --- Arisutofanesu --- Aristófanes --- Aristophanes Comicus --- אריסטופאנוס --- אריסטופאנס --- אריסטופאנס. כספי זיוה --- אריסטופניס --- אריסטופנס --- Ἀριστοφάνης --- Alkibiades --- Alcibiade --- Alkibiad --- In literature. --- Characters --- Alcibiades. --- Criticism and interpretation. --- Politics in literature --- Greek drama (Comedy) - History and criticism --- Alcibiades - In literature --- Aristophanes - Characters - Alcibiades --- Aristophanes - Criticism and interpretation
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Since the eighteenth century, classical scholars have generally agreed that the Greek playwright Aristophanes did not as a matter of course write "political" plays. Yet, according to an anonymous Life of Aristophanes, when Dionysius the tyrant of Syracuse wanted to know about the government of Athens, Plato sent him a copy of Aristophanes' Clouds. In this boldly revisionist work, Michael Vickers convincingly argues that in his earlier plays, Aristophanes in fact commented on the day-to-day political concerns of Athenians. Vickers reads the first six of Aristophanes' eleven extant plays in a way that reveals the principal characters to be based in large part on Pericles and his ward Alcibiades. According to Vickers, the plays of Aristophanes—far from being nonpolitical—actually allow us to gauge the reaction of the Athenian public to the events that followed Pericles' death in 429 B.C., to the struggle for the political succession, and to the problems presented by Alcibiades' emergence as one of the most powerful figures in the state. This view of Aristophanes reaffirms the central role of allegory in his work and challenges all students of ancient Greece to rethink long-held assumptions about this important playwright.
Aristophanes --- Greek drama (Comedy) --- Political plays, Greek --- Politics and literature --- Political and social views. --- History and criticism. --- Pericles, --- In literature. --- Athens (Greece) --- Politics and government.
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Greek drama (Tragedy) --- Greek literature --- Politics in literature --- History and criticism --- History and criticism --- Alcibiades --- Sophocles --- Sophocles --- In literature. --- Characters --- Alcibiades. --- Criticism and interpretation. --- Athens (Greece) --- In literature.
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Wonders Lost and Found: A celebration of the archaeological work of Professor Michael Vickers comprises, in all, twenty-one contributions, all on archaeological themes, written by friends and colleagues of Professor Michael Vickers, commemorating his contribution to archaeology. The contributions, reflecting the wide interests of Professor Vickers, range chronologically from the Aegean Bronze Age, to the use made of archaeology by dictators of the 19th and 20th centuries. Seven contributions are related to the archaeology of Georgia, where the Professor has worked most recently, and has made his home.
Archaeology --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- E-books --- Excavations (Archaeology) --- England --- Georgia (Republic) --- Archaeology.
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Concocted in Italy by scholars of English and sifted through the judgement of the English editor, this volume traces a curious history of English literature, from the tasty and spicy recipes of the Middle Ages down to very recent times.
English literature --- Food in literature. --- History and criticism.
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Goldwork, Ancient --- Pottery, Ancient --- Silverwork, Ancient --- Congresses. --- Congresses. --- Congresses.
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The Christian literary culture of Georgia was always associated with the main monastic centres of the Byzantine worldand neighbouring Christian areas. Georgians gained a foothold in the religious and cultural milieu of the Christian world by establishing their own monasteries, or by settling and working in prominent mona- stic centres of the Christian Middle East and Byzantium. They under- took large-scale cultural and educational projects, such as translating the most significant works of Christian literature, creating original Georgian ecclesiastical writings, and producing precious manuscripts.Georgians’ literary activity in foreign monastic hubs reflects their close contact with advanced intellectual centres and, at the same time, their attempt to maintain ecclesiastical and cultural independence.This book presents to readers in a coherent, chronological manner Georgian ecclesiastics’ literary work and Georgian manuscript produc- tion in the monastic centres of Palestine, Mt Sinai, Mt Athos, the Black Mountain (near Antioch), Constantinople, and Petritsoni (Bachkovo). It aims to show how Georgians adopted the ideas and values that were predominant in the advanced literary and cultural centres of the Christian world, and how they introduced these ideas and values into Georgian national literature, converting them intoan essential part of the Georgian intellectual heritage. It also discusses the relations of Georgians with other ethnic groups – Greeks, Armeni- ans, and Latins – in the multicultural and multilingual setting of the monastic centres of the Christian Middle East and Byzantium.
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